I nearly lost this file of photos of customers’ finished projects, so I decided I would hurry up and post them before I do something unexpected and inexplicable again!

First, Janet came in with the most wonderful shawl that she made during a Mystery Knitalong from Joji Locatelli this past summer.  The shawl is called Starting Point and look how wonderful Janet looks in it! I love the colors she used.  (She also brought lunch for Jack and Purl and absolutely made their day!)

Jettie sent photos of two finished objects that she made with our classes this past summer, and I just love them both!  First she made a Fancy Hen for a friend who raises Rhode Island Reds:

and then she made this pretty pink Pearl for herself:

Both beautifully done!

Anne Alderman made a beautiful Stella Luna shawl, all in black, bless her heart:

Challenge met and mastered!

Kathleen Delong took our Magic Loop Mitts class this summer and made a beautiful pair of mitts, then designed her own headband with the leftovers:

I’m so impressed by Kathleen, who has only been knitting for bit over a year!

Sandy Albert has two unexpected but very welcome grandchildren coming this fall, and made them boy and girl blankets, then had them personalized at Initials Only:

Dave Ritz, who is recovering from a broken ankle (and had to cancel a planned trip to Rhinebeck – so sad!), sent for our Yarn Gallery afghan pattern and yarn to make it, and got the first strip done in a couple of days!  He’s so fast!

It’s looking good in black and white, right?  Love and best wishes to David for a quick healing process!

Pam Berger has been crocheting mermaids this summer and I asked her to please bring one in to show me, since she used unusual yarns and I just couldn’t picture it.  This mermaid is adorable, here doing the side stroke, with long shiny ringlets floating about her and a lovely sinuous tail:

I have only one finished object this week.  I couldn’t resist this wonderful red color of Estilo, a wool and silk blend from Plymouth that is so completely yummy I had to make something with it.  One skein made an Ocean Waves cowl which I cut down to a cast-on of 234 stitches to make a loop about 42″ around and 10″ tall after blocking.

I love this pattern, it’s relaxing and engaging all at once, and very, very pretty.

I have more new yarn to show you, but you’re sick of looking at new yarn, aren’t you? No?  Me neither!! Next week…

Lots of people come into the shop and ask for a pattern for something like an easy hat, a simple baby sweater, or a plain pullover. I show them the patterns that we still stock, but I also ask “Have you looked on Ravelry?”  If I get a blank look or “oh, I hate computers” (yep, still get that now and then), we look at print patterns.  Sometimes I hear, “I found some but I’d like to buy from you,” which I love but online patterns are welcome in our shop; if it’s a decent pattern (see below) we can find the right yarn and help you to choose the right size and fit.  Very often, when I mention Ravelry, I hear “I looked but I get lost.”  We can help you with your searches: with a few questions we can narrow things down so you’re not looking at tea cozies when what you want is a cabled cardigan. (All of a sudden, you’re distracted and thinking about the virtues of a tea cozy that looks like an old English cottage – I know how that is!)

So (I ask again) what makes a great pattern?  There are a few things that distinguish a poor pattern from a really good one:

Gauge.  The number of stitches and rows per inch (or centimeter) that you should achieve.  The only kind of pattern that could possibly get away with no gauge is a dishcloth or perhaps a blanket.  And even then, you must be sure you have way more yarn than you think you’ll need.  If your gauge is way off, (and how will you know?) you could end up using a lot more yarn than you think.  If your project has to fit anything (even a teapot), you need a gauge to swatch for.

Size.  You need a finished size in inches or centimeters.  Small, medium, large: meaningless.  8, 10, 12: meaningless. Even To Fit Bust 32, 36, 40: meaningless.  The designer may think that you want a sweater with no ease (the distance between your body and the garment) but that may be because she’s 24 years old and weighs 98 pounds.

 

 vs.

Personally, I want a little wiggle room, and sometimes a lot.  On the other hand, the designer may be employed by a yarn manufacturing company, so he or she will be motivated to use as much yardage as possible.  Sixteen inches of ease may just make you look like you’re wearing a skillfully cabled pup tent instead of an elegantly casual hand-knit sweater.

vs.

 

Schematic:  Not essential for most accessories, but these boring-looking outlines with lots of numbers are absolutely crucial for a garment. (Below is a random Google image for knitting schematic – I don’t know what garment it’s for.)

Yuck, right?  But!  A sweater must fit many different parts of a body, not just the bust.  How deep is the armhole?  How wide is the neckline?  How long are the sleeves?  And how will these dimensions sit on your body?  A detailed schematic means 1000 times more to a knitter than the beauty shot on the front of the pattern.

Love the way it looks on the model?

How tall is she?  Is she long- or short-waisted?  Is she wide in the shoulders?  Where will the hem fall on you?  Will the shoulders fit you or fall inches down your arm?  Are the sleeves too wide or too narrow?  Without actual dimensions and a tape measure, you don’t know. We can help with that. (The sweater above is Sunshine Coast by Heidi Kirrmaier, who writes wonderful patterns.)

Recommended yardage/yarn details: When a yarn manufacturing company commissions a pattern, they are doing it so you will buy their yarn.  That’s understandable, and we need to do some research to find the right substitute. Yardage and weight per skein, fiber content, and recommended gauge all figure in to finding the perfect yarn for your project.

Of course you want the pattern to have clear instructions and explanations of techniques and abbreviations.  Before you buy, you can get a good idea of how well the pattern is written from the comments of people who have posted projects for the pattern on Ravelry.  Take time to read them before you buy.  Study the photos of people who have made the sweater.  You can also look at the ratings on the pattern page but be aware that 5 stars from the designer’s two best friends don’t mean nearly as much as 4 stars from 200 people.

Classic design and versatility should also figure in to your decision on a pattern.  If something catches your eye with its trendy neckline or hemline or poofy sleeves or pleats or whatever is popular this season, be sure you’re going to want to wear it 3 or 4 years down the road.  Hand knitting is not cheap or fast; invest your time and money in  something that will make you happy for a long time.

Choosing your next project should be fun but there’s also a little work to be done.  We’ll help you with the pattern research, with choosing a yarn that will work for the design that you want, and with making the right size and the right adjustments so that the garment you make will be the one you’re dreaming of.

Churchmouse’s Simple Tee is a great pattern that gives a lot of information to help you choose yarn and size, with a good schematic and excellent instructions. It also gives you lots of flexibility in the look you knit, depending on the yarn and features you choose.  (Churchmouse Yarns & Teas is a Local Yarn Store in Bainbridge Island, Washington.  Being a LYS, they know what makes a good knitting pattern, and they’re completely reliable as to including the essentials above.) They show two styles on this pattern:

Long with split hem and cap sleeves:

Short with long sleeves:

We gave a class on this sweater this past spring.  I made the long version in summery Hempathy with three-quarter sleeves (the gray version below) and have just now finished a tee from the same pattern with a shorter and wider body and short sleeves in Lang’s luscious Lusso (say that 3 times fast), a fingering-weight fuzz of – now, get this – extra fine merino, silk, baby camel and super kid mohair.  Can you say luxurious, light, and lovely? A little layer of warmth and color over a black tee!

Two completely different looks for different seasons, both wearable for many years:  this pattern is a keeper.

 

I LOVE yarn.  No one is surprised by that, I’m sure, but sometimes I get so tied up with projects and classes that I forget about the joys of just being around yarn and getting to know it and appreciating the differences between all the varieties.

Iris is a new worsted-weight yarn from Debbie Bliss’s new collection called Pure Bliss. It’s made from superfine merino wool with a smooch of cashmere.  Superfine merino is already soft and smooth next to the skin, and the 5% cashmere just adds a bit of lovely fuzziness to the surface.  I love the colors I ordered: rich neutrals and a beautiful soft pink.

I made a sweet one-ball cowl (free with purchase)

that deserves to be caressing someone’s neck, but I will say that if I had a loved one who needed a chemo cap, this would be the yarn I would choose.  One ball would do it, and I like this nice free pattern from A Little Knitty on Ravelry (although there are many great free patterns for chemo caps. I tailored my search specifically for Iris’s specs, knitting, free patterns with a good rating. Here’s my search.)

If you follow us on Facebook, you’ll have seen other new yarns that popped in the door this week:

New colors of Herriott Fine, a lovely fingering-weight alpaca/nylon blend from Juniper Moon Farm.  I love this yarn for its softness and warmth, and these 3 new colors add to the rich, heathered palette we already stock:

Gloves, scarves and shawls are all lovely in this yarn, and it also combines well with other lightweight yarns to make a quicker, warmer, softer project. We combined it with Fine Donegal to make Trailhead a couple years ago, and it’s still everyone’s favorite.  Loretta looks great in mine, so of course, she made her own:

Speaking of Fine Donegal, a few new colors of this wool/cashmere blend came in.  It features the interesting sturdiness and the fantastic colored highlights that only an Irish mill could accomplish:

I’m ready for a sweater in any of these colors, and yes, the red (named Strawberry) really is that vibrant! Remember Newsom?

A great little  jacket to dress up or down, and it still looks just like new.

Huenique (pronounced hew-NEEK) is a superwash wool blend that does it all.  Blended stripes of amazing color combinations, thick-and-thin texture, machine washability, and light-chunky gauge make this a perfect yarn for quick gifts and accessories, or a fun kid’s sweater.  Hats, scarves, cowls, mittens – anything’s possible:

Just look at those colors!

A reminder about classes:  our exclusive afghan

Deb’s exclusive D-Y-O Scarf for beginners and beyond

Karen’s Silverleaf Shawl

and Cloud Nine Slippers

all start in October!  Only one or two spots remain in each so if you’re interested, don’t wait too long.  You can check out the dates and times here.

I haven’t done all that much stranded knitting in my life.  I suppose it’s because I haven’t had to.  Karen Walter is a great one for stranded knitting and makes lovely projects and teaches wonderful classes, so I don’t need to.  I have to say, though, that when I do a small project of some kind using this technique, I enjoy working the little “peerie” patterns the most.

Peerie means small in Scottish, and the peerie patterns in Fair Isle knitting use only two colors across any round and are short repeats both stitch-wise and row-wise.  It’s easy to get into a rhythm with them, and their appearance is delicate and decorative.  Here are a few examples from Ravelry:

Kate Davies has done some beautiful designs, and if you’re interested in ethnic history of knitting in Northern Europe and the British Isles, you’ll learn a lot from her blog, as well as seeing some of the most glorious photography you’ll ever experience:

Carraig Fhada

Machrihanish

Peerie Flooers

Alice Starmore literally wrote the book about Fair Isle knitting (Alice Starmore’s Book of Fair Isle Knitting). Packed with history and technical details plus page after page of charts for traditional stitch patterns, it’s an amazing resource.  It also has sweater patterns and very scary instructions for making and cutting steeks.  You can look at her patterns on Ravelry but she doesn’t sell patterns there.  Her designs, except for the books she has published, are available as kits only.

Anyhow, all this is leading up to telling you about the sweater Karen is going to teach this fall, starting late in September.  First Fair Isle is a beauty, featuring loads of pretty peerie patterns and modern top-down construction.

 The Fair Isle patterns are at the bottom of the body and sleeves, so they’re in the round, not interrupted by steeks or shaping, and all the fun comes at the end!  This is Karen’s version:

Karen used Cumbria Fingering from Fibre Company, a lovely choice for this project. Its blend of traditional British sheep’s wools give the colors a heathery depth, and the addition of a smooch of mohair adds loft and sheen.

One of the most pleasurable aspects of stranded knitting is choosing the colors.  It’s also one of the most fraught aspects.  Karen was a bit disappointed in the lack of contrast between a couple of the colors she used (although I like the subtle differences).  Plus it’s very difficult to visualize what the patterns will look like with other colors.  The solution?  Coloring the chart!  The other day I pulled out my old colored pencils and got as close to some of the Cumbria colors as I could, and had a great time playing around.

The chart patterns start right under the bustline and travel down to the hem, so they’re shown in reverse order on the chart.  The one below shows colors similar to the book’s sample.

This teal and green version is quite pretty.

And I like this one, with greens and a pop of copper:

This one is different in that I used a dark gray as the main color and went brighter at the bottom:

Well, I thought this would make choosing colors easier, but I still would have a hard time deciding!

Come in and do some coloring!

 

 

 

Many people think of spring as the season of renewal. I tend think of fall as the season of new.  It’s probably a holdover from school days, when fall meant new clothes and new shoes, new teachers, new books, sometimes a new building and always new classes and new things to learn.  I still think of fall as a freshening breeze, crisp days and cool nights, crunchy leaves and Siamese-cat-eye-colored skies, renewed vigor and, of course, the beginning of knitting season.

Have you thought of new projects for the coming year?  Turtlenecks are making a comeback – love them or hate them?

Big cable knits are still everywhere.

 Tunics are still being shown

but there are a few shorter styles.

Color work is popular – graphic intarsia as well as stranded or striped.

 

 

Classic fisherman rib is always popular

and can also be not-quite-so-classic:

All the images above are from Nordstrom’s website.  If you want to spend $450 – 1200 on a sweater, you can have them, no knitting involved!  I use their website for inspiration for what I’d like to make this fall.  We all have different body types and issues, but for me, I’m reluctant to wear big chunky tunics (I look like the Hobbit) or turtlenecks that are too high or bulky (a hold-over from my hot flash era) or big graphic images (not wanting to come off as the side of a really short barn).

I would like a shorter cable knit, though, and I’ve always liked this one, which I think is a good transitional style for fall.  I would make it as shown, in Luma, Fibre Company’s wool/organic cotton/silk blend:

or this nice little gansey :

in Plymouth’s DK Merino Superwash.

I also like this one, maybe scaled down a bit:

in Ella Rae’s Classic Sport, a nice woolly kind of wool.

I wouldn’t mind a turtleneck this year, as long as it wasn’t too overwhelming. I’m old, so I have neck issues along with my hot-flash PTSD.  Maybe this:

because it’s done in lace weight and the collar is loose.  It would be incredibly yummy in Road to China Lace.

And this looks wearable and comfy:

I may experiment with two strands of Lang’s Lusso (coming soon to the shop, with wool/silk/camel/mohair- yum!) held together.  Debby Andrews is currently knitting this sweater in Lana Grossa’s Arioso, which will be absolutely lovely, too.

As for colorwork, I love the sweater that Karen is going to be teaching this fall – more about that next time! – and I also love this light little striped pully.  Some color packs of Fino are coming soon and I think this would be fabu using one of Fino’s lovely semi-solids along with a color pack:

Fisherman’s rib really is classic, but it’s a time-and yarn-intensive stitch.  How about this cute capelet instead, in a rich color of Worsted Merino Superwash?  Or I might try it in one of my favorite combinations, Fine Donegal (wool/cashmere) held together with Herriott Fine (baby alpaca/nylon), tweedy and lush all at the same time:

There are so many things to get excited about for fall…can’t wait!

 

 

It’s been a while since I posted, and there’s so much to talk about and show you that I don’t even know how to start.  I want to show you customer projects from this summer, but I also want to show you new yarns that have been coming in, and I also just want to ramble on about this and that.

I’ll start with some customer projects today:

Susie Drake took Karen’s Eternal Optimist class this summer and brought in her completed scarf to show.  The color is stunning and the beads are beautiful accents:

Mary Ellen Leidy took Karen’s Modern Wrapper Fine class in the spring, just after getting a new puppy!  It took a little while to finish the wrapper, in between walks, play, and training sessions for Keiko, but she did it!  It’s a beautiful fit, a beautiful color, and beautiful workmanship:

Cindy Schuchart took my Corella hat class this summer, in between vacations with a house full of kids and grandkids.  She made a beautiful hat and got comfortable with charts as well.

Cindy also made this pretty poncho for her daughter-in-law from our in-house free pattern.  Finished in plenty of time for fall, the poncho is perfect!

Virginia Griffith made this great open-work tunic from two colors of Shibui Twig.  (So sorry for  the photo. Take my word for it, it’s really pretty!)

Debby Andrews finished this pretty feather-and-fan tam, then made a cowl in the same stitch pattern to match.  She’s all set for cool weather:

Anne Alderman made these two good-looking summer tops, plus one or two more, plus some hats…and on and on…!

Jill Pelchar made this great hoodie for her daughter, who models it beautifully!

Linda Seifarth loves small projects.  She made the adorable hat and the in-process headband for a grand who, I think, is heading to Penn State. The beautiful Touch-Me scarf is in her own favorite color.  The headband pattern and the scarf patterns are ours and are free with purchase:

Anne Nordhoy made up her own bunch of blocks for this afghan, made from scraps from other projects.  It’s amazing!

However, the belle of the blog has got to be this challenging sweater Amy Wall made for her nephew Joey – cables, steeks and all!  He obviously adores it; you don’t see bigger smiles than this:

Many thanks to everyone who sends me photos or takes the time to bring in finished projects.  It’s a real joy to see them!

 

 

The cardigan from my last post, Aileas, is proceeding apace.

As you can see, I did the sleeves before completing the body, just to get them out of the way.  The faux-cables are fun to work:

and are included on the sleeves:

so that even the sleeves won’t bore you to pieces.

I’m just about to add some columns of cables that will accent the back and set off the pockets so things are moving along.  I’ll probably whine at you just a bit when I’m partway through the bottom ribbing – there’s a bunch of it!

We got some really beautiful yarn in from Plymouth this last week.

That’s “Estilo” to the left and center, 10 fabulous colors of wool and silk lusciousness in a fingering/light sport weight.  Karen already snagged 2 colors to make a shawl that she may teach in the fall!  Here’s just one skein of the elegant steel blue:

The other column of beautifulness is “Reserve Sport” a blend of merino, milk, and bamboo that reminds me very much of a hand-dyed Nuna (one of our favorite drapy, shiny, slithery yarns).  I for some reason got the bug to crochet something a couple weeks ago, and since my skills are basic and my speed is snail-ic, I needed something really easy.  Reserve Sport is nice for crochet because it has built-in drape due to its fiber content, and while helping another customer, I came across this pretty and simple cowl called Tembetari.  So I’m trying it out.  After 3 hours, this is what I’ve accomplished:

Impressive, no?

I’m going to stick with it.  The yarn is delightful, and I sorely need the practice!

 

Accuweather tells me to expect high 80’s – 90 degree temperatures and lots of humidity for the foreseeable future (like I need them to tell me that – it is July, after all); therefore I have developed an insane desire to knit a lovely big woolly cardigan.

This happens to me every summer.  I spend much of the end of winter and all of spring knitting summer yarns into light tops, and by now, my hands, eyes, and needles yearn for the knitting goodness of a true 100% wool. I started stocking Plymouth Homestead last fall but never got around to making the nice warm cardigan that was in my head when I ordered it.  It’s not an expensive yarn and there are always models to be made for pricier yarns and for those that are tough to visualize as a knitted something until you can see it or touch it as a finished item.  Homestead is just nice wool, spun in Peru, and it’s so traditional, with nothing very sexy going on, that it’s easy to ignore in favor of other softer, multi-colored, fluffier or whatever yarns distract you when you’re in the shop.

However, its time has come.  I chose this wonderful sheepy color:

and began to swatch:

and all of my woolly desires were satisfied!

It will become this pretty and cozy cardigan from Isabell Kraemer called Aileas:

which I love because of the faux-cables that are easy to work and won’t slow you down too much but add a lot to the look.  I love the pockets.  I love the deep rib.  I love the fold-over collar, which in my case will be lined with a coordinating? matching? contrasting? (Don’t know yet) color of Herriott Fine, which is soft, soft alpaca.  Hey, I’m not a particularly itch-sensitive gal but even I don’t want woolly wool against my neck all day.  This pretty pink version shows a contrasting lining:

Sweet, right?

Speaking of sweet, look at what popped in the door the other day:

It’s the latest offering from Zen Yarn Garden’s Artwalk series, based on this painting:

Willem de Kooning’s Garden in Delft.  Marci Frey came in as I was opening the package and we had a pretty good time running all over the shop to find some things to spark up the pretty colors (Marci loves bright!):

Come get yours!

I’m in a pretty cool place right now, knitting-wise.  I’ve almost finished all the class models and summer models I had planned to do. (Plus at least one that I hadn’t planned – see below.)  I still have to finish off the fingers of the second Winter Bride glove and that’s taking me a while.  The whine factor in this is pretty high: (1)  it’s the second glove, (2) it’s little tiny stitches and little tiny diameters, and (3) I’m not so hot at using double-points, in fact I’m pretty slow and clumsy with them.  Two more fingers to go,

and it will be done soon enough and then I’ll soon love it again.

But really, whining is a part of knitting.  Knitters love to whine!  If you could ever find a knitting project that only took 10 minutes, I guarantee that the last 2 minutes would involve complaining about how it’s taking forever and why can’t it just be done already???!! We are patient and persistent folks, but we feel no need to be quiet about it.

So anyway, my decks are pretty clear right now, which gives me a great excuse to browse Ravelry and think about new projects.  Brooklyn Tweed’s new Wool People collection came out recently – nothing made me gasp with delight but there are plenty of nice sweaters there.  What I really want is to live in Jared Flood’s photographic world, wherein I would be prettily posed in an attitude of quiet confidence, in a perfectly fitting sweater, flatteringly accented by diffused sunlight at all times.

So while I think about new projects, I’m going to make Brother-in-Law socks (they will be moving to Charleston in a year or two and I think his need for wool socks will drop dramatically.)  I plan another hoodie for Maxwell the Great (Nephew) because his mom says the summer one I made is his favorite thing to put on (and how sweet is that to hear?) and he’ll soon outgrow it. And I have in mind to go through our huge file of free shop patterns, updating and making new models from current yarns where needed.

That really should keep me quite busy and my schedule full, but I do get distracted.  I had no plans whatsoever to make the Refined Arches Tabard but as soon as I saw the pattern, I knew it would be a perfect project for Shibui Twig.  I had to make it! And so I did.

It’s airy and open for summer in Twig, and would be a nice layering piece in lightweight wool or lace weight mohair for fall.  I would say it’s an intermediate project because, even though it’s all lace, every other row is a rest row and there’s no shaping.

 

We have lots of classes starting in July (it’s almost here!!!) including a beginner class.  If you have been on the fence, now is the time to commit; most have only one or two spaces left.  Socks, mitts, hat, sweater and a chicken!  What more could you possibly want?

I hope you’re having a wonderful summer and accomplishing everything you planned – or nothing at all!  Have fun!

Well, it was fun, and it’s almost over, and I have to admit I’m glad.  I don’t know about you, but when I’m at loose ends for too long, I tend to fall into bad habits – the same bad habits I fight against all the time: too much couch time, too many snacks, too few chores or useful projects.  I did enjoy the first half, though.  I went to my home town for a bridal shower for the daughter and future son-in-law – both so sweet – of one of my cousins.  It was given by the daughters of another of my cousins, and it was great seeing all those lovely folks again.   Another day, I got to have brunch with Maxwell the Great (Nephew) and of course, his mom, dad, and grandmother. He’s cuter than cute, and despite his mother’s warning, there was no food-hurling.  He was very, very good!

I also bought some wonderful yarn for the fall and thought wistfully about the big yarn show in Columbus, which is happening this coming weekend.  Really, it’s better if I don’t go, I just get into trouble (inventory-wise, not in any interesting way) but – all that beautiful yarn in one place!!!!

The only knitting I did was to finish Pearl, the sweater I’m teaching later this summer.  It knit up like a dream in Plymouth’s Worsted Merino Superwash.  I made it in PINK (extreme pink-ness) and it’s pretty cute.  I can only do a bad photo right now because it’s still damp so I dare not stretch or hang it, but here it is:

I made two modifications to this version:  (1) I used German short rows instead of wrap-and-turns for the shoulders and the sleeve caps, and (2)  I did only 1 lace motif at the neckline and didn’t carry it down the front, just to show that you can make it this way if you wish to.  The next one I do (which will be while the class is knitting it) will have the lace the whole way down the front.

See how happy she looks? I like the verticality of the lace column, and it won’t be so tedious to knit the body.  The lace is pretty and worth the effort.

In fact, I like everything about this sweater and would be happy to have several in many different colors and fabrics in my wardrobe.  I like 3/4 sleeves, but it would be easy to carry them down to full length. The neckline is flattering and is finished with a neat I-cord bindoff.  The picked-up sleeves have short row caps which are interesting to work, and you can choose whatever your favorite method is to work the sleeves in the round (I used magic loop – if you don’t know how, learn it in our Magic Loop Mitts class.  The classes overlap a little but you’ll know the technique by the time we get to the sleeves and using it in a different application will reinforce your knowledge.)

The length of the sweater is great and easily adjustable, and the a-line silhouette is perfect for my body and easily eliminated if you aren’t quite so cursedly pear-shaped. The light worsted weight wool is good for at least 6 months of the year here. plus it’s machine-washable.  I may end up finishing the drying in the machine, too, just to see how that works.

To sum up, I couldn’t be more pleased with this pattern and the yarn and the result!  Classes are filling up nicely (I love this summer’s schedule) so check them out here.  And heads up if you’re intrigued by lace knitting and beading – Karen’s Eternal Optimist knit-along starts on June 15th! The link will take you to some beautiful projects on Ravelry – then come in to see Karen’s version in person – it’s simply luscious.

By the by, we’ll be closed Saturday June 17th because of Art on the Avenue – you know the drill: no parking, lots of crowds and kids and dogs so lots of frenetic barking on the part of Purl and Jack, lots of hair-pulling and yelling on the part of me – so, sorry!