Lots of people come into the shop and ask for a pattern for something like an easy hat, a simple baby sweater, or a plain pullover. I show them the patterns that we still stock, but I also ask “Have you looked on Ravelry?”  If I get a blank look or “oh, I hate computers” (yep, still get that now and then), we look at print patterns.  Sometimes I hear, “I found some but I’d like to buy from you,” which I love but online patterns are welcome in our shop; if it’s a decent pattern (see below) we can find the right yarn and help you to choose the right size and fit.  Very often, when I mention Ravelry, I hear “I looked but I get lost.”  We can help you with your searches: with a few questions we can narrow things down so you’re not looking at tea cozies when what you want is a cabled cardigan. (All of a sudden, you’re distracted and thinking about the virtues of a tea cozy that looks like an old English cottage – I know how that is!)

So (I ask again) what makes a great pattern?  There are a few things that distinguish a poor pattern from a really good one:

Gauge.  The number of stitches and rows per inch (or centimeter) that you should achieve.  The only kind of pattern that could possibly get away with no gauge is a dishcloth or perhaps a blanket.  And even then, you must be sure you have way more yarn than you think you’ll need.  If your gauge is way off, (and how will you know?) you could end up using a lot more yarn than you think.  If your project has to fit anything (even a teapot), you need a gauge to swatch for.

Size.  You need a finished size in inches or centimeters.  Small, medium, large: meaningless.  8, 10, 12: meaningless. Even To Fit Bust 32, 36, 40: meaningless.  The designer may think that you want a sweater with no ease (the distance between your body and the garment) but that may be because she’s 24 years old and weighs 98 pounds.

 

 vs.

Personally, I want a little wiggle room, and sometimes a lot.  On the other hand, the designer may be employed by a yarn manufacturing company, so he or she will be motivated to use as much yardage as possible.  Sixteen inches of ease may just make you look like you’re wearing a skillfully cabled pup tent instead of an elegantly casual hand-knit sweater.

vs.

 

Schematic:  Not essential for most accessories, but these boring-looking outlines with lots of numbers are absolutely crucial for a garment. (Below is a random Google image for knitting schematic – I don’t know what garment it’s for.)

Yuck, right?  But!  A sweater must fit many different parts of a body, not just the bust.  How deep is the armhole?  How wide is the neckline?  How long are the sleeves?  And how will these dimensions sit on your body?  A detailed schematic means 1000 times more to a knitter than the beauty shot on the front of the pattern.

Love the way it looks on the model?

How tall is she?  Is she long- or short-waisted?  Is she wide in the shoulders?  Where will the hem fall on you?  Will the shoulders fit you or fall inches down your arm?  Are the sleeves too wide or too narrow?  Without actual dimensions and a tape measure, you don’t know. We can help with that. (The sweater above is Sunshine Coast by Heidi Kirrmaier, who writes wonderful patterns.)

Recommended yardage/yarn details: When a yarn manufacturing company commissions a pattern, they are doing it so you will buy their yarn.  That’s understandable, and we need to do some research to find the right substitute. Yardage and weight per skein, fiber content, and recommended gauge all figure in to finding the perfect yarn for your project.

Of course you want the pattern to have clear instructions and explanations of techniques and abbreviations.  Before you buy, you can get a good idea of how well the pattern is written from the comments of people who have posted projects for the pattern on Ravelry.  Take time to read them before you buy.  Study the photos of people who have made the sweater.  You can also look at the ratings on the pattern page but be aware that 5 stars from the designer’s two best friends don’t mean nearly as much as 4 stars from 200 people.

Classic design and versatility should also figure in to your decision on a pattern.  If something catches your eye with its trendy neckline or hemline or poofy sleeves or pleats or whatever is popular this season, be sure you’re going to want to wear it 3 or 4 years down the road.  Hand knitting is not cheap or fast; invest your time and money in  something that will make you happy for a long time.

Choosing your next project should be fun but there’s also a little work to be done.  We’ll help you with the pattern research, with choosing a yarn that will work for the design that you want, and with making the right size and the right adjustments so that the garment you make will be the one you’re dreaming of.

Churchmouse’s Simple Tee is a great pattern that gives a lot of information to help you choose yarn and size, with a good schematic and excellent instructions. It also gives you lots of flexibility in the look you knit, depending on the yarn and features you choose.  (Churchmouse Yarns & Teas is a Local Yarn Store in Bainbridge Island, Washington.  Being a LYS, they know what makes a good knitting pattern, and they’re completely reliable as to including the essentials above.) They show two styles on this pattern:

Long with split hem and cap sleeves:

Short with long sleeves:

We gave a class on this sweater this past spring.  I made the long version in summery Hempathy with three-quarter sleeves (the gray version below) and have just now finished a tee from the same pattern with a shorter and wider body and short sleeves in Lang’s luscious Lusso (say that 3 times fast), a fingering-weight fuzz of – now, get this – extra fine merino, silk, baby camel and super kid mohair.  Can you say luxurious, light, and lovely? A little layer of warmth and color over a black tee!

Two completely different looks for different seasons, both wearable for many years:  this pattern is a keeper.

 

We had a good turnout for our knitting afternoon for the benefit of Houston’s animal shelters and the Red Cross.  We had loads of goodies to eat, good conversation, good company, and an all-around good time, and we raised $300!  People could designate if they wanted their $10 donation to go to a certain place; what was left was split evenly.  The Red Cross received $90, the Houston SPCA received $100, and the Houston Humane Society received $110.  Thanks so much to everyone who came, and also to those who couldn’t come but took the time to drop off a donation anyway!!

We received some lovely new yarn this week.  Diamond Yarn’s Tradition sock yarn comes in beautiful heather-y shades, is a very traditional blend of superwash wool and nylon for strength and easy care, and is extremely well-priced!

Very nice indeed and perfectly suitable for other fingering-weight projects!

For those not-so-traditional sock knitters (or baby sweaters or colorful scarves and hats), we received a few new color-ways from Opal’s Rainforest Series:

I confess to snagging a ball of one of the colors for my BIL’s socks, which I must remember to knit a bit more loosely this time.  The last pair will have to go to my narrow-footed cousin because I knit them with so much fervor, I think they’re nt just tight, they might be watertight!

Berroco sent us some lovely vibrant colors of Lusso, a fingering-weight yarn made of pure yummie-ness!  Extra fine merino, silk, baby camel and super kid mohair, all stuffed into a light and fluffy ball of fuzz:

Can you see how the silk gleams through all that wonderful fiber?  A few more colors to come, but I couldn’t resist that bright red-orange.  I decided to make a tee that will pop on over something to add a light layer of warmth and color this winter.  Using Churchmouse’s Simple Tee pattern and size 5 needles, I’ve got a good start:

Love it already!

Karen brought her Saudade Hat class sample with her on Sunday and modeled for everyone.  I didn’t get a snap of how cute it looked on her, but you can get a feel for what a great hat it is:

If you turn the ribbing up, it’s a beanie.  If you leave the ribbing unfolded, it’s a slouch.  All the pretty color work and the Cumbria fingering make the hat so cozy, so warm, so perfect.  (Only a few spots left in the class!)  The beautiful colors of Cumbria Fingering that everyone ordered for their First Fair-Isle sweaters should be here this week, and I can’t wait to see all the combinations.  So exciting!

Oh, how I love knitting season!

 

 

I have so much to write about that I’m having to just cut it down into small bites or I’ll never get anything on this page!  I’ve been finishing up the pattern for the afghan we’re making later this fall – Karen proofed it for me this week and I took the best pictures I could of the blocks, now to finish up the general instructions and figure out formatting and so on.  It’s complicated and interesting for such a big pattern.

Anyway, I’ve also been knitting happily away when the computer screen starts to blur.  I posted a photo to Facebook of the Alegria we received from Manos:

Beautiful, unusual colorways plus a wonderfully soft merino/nylon base = so many possibilities.  So of course, I couldn’t let it go at this.  Had to play!

Sophisticated

 

 

Pretty-pretty

 

 

Refined

 

Refined with a punch

 

 

Unrefined with a punch

 

 

POW!

Loved them all, couldn’t choose, plus I needed a quick model.  This is what I made with one skein:

I love this sweet asymmetrical shawl with a sawtooth eyelet edge and a picot bindoff, all in garter stitch so the colors blend beautifully, it’s so soft and squishy, and the pattern is free on Ravelry!  It’s Justyna Lorkowska’s Close to You and it’s an addictive fun knit!  Go get it, then come get your favorite color of Alegria!  You can finish the shawl before the classes start –

Speaking of which, the sweater class is full, I’m happy to say, and the others are filling up nicely.  If there’s a class you’re interested in, please don’t delay registering!

 

I haven’t done all that much stranded knitting in my life.  I suppose it’s because I haven’t had to.  Karen Walter is a great one for stranded knitting and makes lovely projects and teaches wonderful classes, so I don’t need to.  I have to say, though, that when I do a small project of some kind using this technique, I enjoy working the little “peerie” patterns the most.

Peerie means small in Scottish, and the peerie patterns in Fair Isle knitting use only two colors across any round and are short repeats both stitch-wise and row-wise.  It’s easy to get into a rhythm with them, and their appearance is delicate and decorative.  Here are a few examples from Ravelry:

Kate Davies has done some beautiful designs, and if you’re interested in ethnic history of knitting in Northern Europe and the British Isles, you’ll learn a lot from her blog, as well as seeing some of the most glorious photography you’ll ever experience:

Carraig Fhada

Machrihanish

Peerie Flooers

Alice Starmore literally wrote the book about Fair Isle knitting (Alice Starmore’s Book of Fair Isle Knitting). Packed with history and technical details plus page after page of charts for traditional stitch patterns, it’s an amazing resource.  It also has sweater patterns and very scary instructions for making and cutting steeks.  You can look at her patterns on Ravelry but she doesn’t sell patterns there.  Her designs, except for the books she has published, are available as kits only.

Anyhow, all this is leading up to telling you about the sweater Karen is going to teach this fall, starting late in September.  First Fair Isle is a beauty, featuring loads of pretty peerie patterns and modern top-down construction.

 The Fair Isle patterns are at the bottom of the body and sleeves, so they’re in the round, not interrupted by steeks or shaping, and all the fun comes at the end!  This is Karen’s version:

Karen used Cumbria Fingering from Fibre Company, a lovely choice for this project. Its blend of traditional British sheep’s wools give the colors a heathery depth, and the addition of a smooch of mohair adds loft and sheen.

One of the most pleasurable aspects of stranded knitting is choosing the colors.  It’s also one of the most fraught aspects.  Karen was a bit disappointed in the lack of contrast between a couple of the colors she used (although I like the subtle differences).  Plus it’s very difficult to visualize what the patterns will look like with other colors.  The solution?  Coloring the chart!  The other day I pulled out my old colored pencils and got as close to some of the Cumbria colors as I could, and had a great time playing around.

The chart patterns start right under the bustline and travel down to the hem, so they’re shown in reverse order on the chart.  The one below shows colors similar to the book’s sample.

This teal and green version is quite pretty.

And I like this one, with greens and a pop of copper:

This one is different in that I used a dark gray as the main color and went brighter at the bottom:

Well, I thought this would make choosing colors easier, but I still would have a hard time deciding!

Come in and do some coloring!

 

 

 

Many people think of spring as the season of renewal. I tend think of fall as the season of new.  It’s probably a holdover from school days, when fall meant new clothes and new shoes, new teachers, new books, sometimes a new building and always new classes and new things to learn.  I still think of fall as a freshening breeze, crisp days and cool nights, crunchy leaves and Siamese-cat-eye-colored skies, renewed vigor and, of course, the beginning of knitting season.

Have you thought of new projects for the coming year?  Turtlenecks are making a comeback – love them or hate them?

Big cable knits are still everywhere.

 Tunics are still being shown

but there are a few shorter styles.

Color work is popular – graphic intarsia as well as stranded or striped.

 

 

Classic fisherman rib is always popular

and can also be not-quite-so-classic:

All the images above are from Nordstrom’s website.  If you want to spend $450 – 1200 on a sweater, you can have them, no knitting involved!  I use their website for inspiration for what I’d like to make this fall.  We all have different body types and issues, but for me, I’m reluctant to wear big chunky tunics (I look like the Hobbit) or turtlenecks that are too high or bulky (a hold-over from my hot flash era) or big graphic images (not wanting to come off as the side of a really short barn).

I would like a shorter cable knit, though, and I’ve always liked this one, which I think is a good transitional style for fall.  I would make it as shown, in Luma, Fibre Company’s wool/organic cotton/silk blend:

or this nice little gansey :

in Plymouth’s DK Merino Superwash.

I also like this one, maybe scaled down a bit:

in Ella Rae’s Classic Sport, a nice woolly kind of wool.

I wouldn’t mind a turtleneck this year, as long as it wasn’t too overwhelming. I’m old, so I have neck issues along with my hot-flash PTSD.  Maybe this:

because it’s done in lace weight and the collar is loose.  It would be incredibly yummy in Road to China Lace.

And this looks wearable and comfy:

I may experiment with two strands of Lang’s Lusso (coming soon to the shop, with wool/silk/camel/mohair- yum!) held together.  Debby Andrews is currently knitting this sweater in Lana Grossa’s Arioso, which will be absolutely lovely, too.

As for colorwork, I love the sweater that Karen is going to be teaching this fall – more about that next time! – and I also love this light little striped pully.  Some color packs of Fino are coming soon and I think this would be fabu using one of Fino’s lovely semi-solids along with a color pack:

Fisherman’s rib really is classic, but it’s a time-and yarn-intensive stitch.  How about this cute capelet instead, in a rich color of Worsted Merino Superwash?  Or I might try it in one of my favorite combinations, Fine Donegal (wool/cashmere) held together with Herriott Fine (baby alpaca/nylon), tweedy and lush all at the same time:

There are so many things to get excited about for fall…can’t wait!

 

 

Accuweather tells me to expect high 80’s – 90 degree temperatures and lots of humidity for the foreseeable future (like I need them to tell me that – it is July, after all); therefore I have developed an insane desire to knit a lovely big woolly cardigan.

This happens to me every summer.  I spend much of the end of winter and all of spring knitting summer yarns into light tops, and by now, my hands, eyes, and needles yearn for the knitting goodness of a true 100% wool. I started stocking Plymouth Homestead last fall but never got around to making the nice warm cardigan that was in my head when I ordered it.  It’s not an expensive yarn and there are always models to be made for pricier yarns and for those that are tough to visualize as a knitted something until you can see it or touch it as a finished item.  Homestead is just nice wool, spun in Peru, and it’s so traditional, with nothing very sexy going on, that it’s easy to ignore in favor of other softer, multi-colored, fluffier or whatever yarns distract you when you’re in the shop.

However, its time has come.  I chose this wonderful sheepy color:

and began to swatch:

and all of my woolly desires were satisfied!

It will become this pretty and cozy cardigan from Isabell Kraemer called Aileas:

which I love because of the faux-cables that are easy to work and won’t slow you down too much but add a lot to the look.  I love the pockets.  I love the deep rib.  I love the fold-over collar, which in my case will be lined with a coordinating? matching? contrasting? (Don’t know yet) color of Herriott Fine, which is soft, soft alpaca.  Hey, I’m not a particularly itch-sensitive gal but even I don’t want woolly wool against my neck all day.  This pretty pink version shows a contrasting lining:

Sweet, right?

Speaking of sweet, look at what popped in the door the other day:

It’s the latest offering from Zen Yarn Garden’s Artwalk series, based on this painting:

Willem de Kooning’s Garden in Delft.  Marci Frey came in as I was opening the package and we had a pretty good time running all over the shop to find some things to spark up the pretty colors (Marci loves bright!):

Come get yours!

I’m in a pretty cool place right now, knitting-wise.  I’ve almost finished all the class models and summer models I had planned to do. (Plus at least one that I hadn’t planned – see below.)  I still have to finish off the fingers of the second Winter Bride glove and that’s taking me a while.  The whine factor in this is pretty high: (1)  it’s the second glove, (2) it’s little tiny stitches and little tiny diameters, and (3) I’m not so hot at using double-points, in fact I’m pretty slow and clumsy with them.  Two more fingers to go,

and it will be done soon enough and then I’ll soon love it again.

But really, whining is a part of knitting.  Knitters love to whine!  If you could ever find a knitting project that only took 10 minutes, I guarantee that the last 2 minutes would involve complaining about how it’s taking forever and why can’t it just be done already???!! We are patient and persistent folks, but we feel no need to be quiet about it.

So anyway, my decks are pretty clear right now, which gives me a great excuse to browse Ravelry and think about new projects.  Brooklyn Tweed’s new Wool People collection came out recently – nothing made me gasp with delight but there are plenty of nice sweaters there.  What I really want is to live in Jared Flood’s photographic world, wherein I would be prettily posed in an attitude of quiet confidence, in a perfectly fitting sweater, flatteringly accented by diffused sunlight at all times.

So while I think about new projects, I’m going to make Brother-in-Law socks (they will be moving to Charleston in a year or two and I think his need for wool socks will drop dramatically.)  I plan another hoodie for Maxwell the Great (Nephew) because his mom says the summer one I made is his favorite thing to put on (and how sweet is that to hear?) and he’ll soon outgrow it. And I have in mind to go through our huge file of free shop patterns, updating and making new models from current yarns where needed.

That really should keep me quite busy and my schedule full, but I do get distracted.  I had no plans whatsoever to make the Refined Arches Tabard but as soon as I saw the pattern, I knew it would be a perfect project for Shibui Twig.  I had to make it! And so I did.

It’s airy and open for summer in Twig, and would be a nice layering piece in lightweight wool or lace weight mohair for fall.  I would say it’s an intermediate project because, even though it’s all lace, every other row is a rest row and there’s no shaping.

 

We have lots of classes starting in July (it’s almost here!!!) including a beginner class.  If you have been on the fence, now is the time to commit; most have only one or two spaces left.  Socks, mitts, hat, sweater and a chicken!  What more could you possibly want?

I hope you’re having a wonderful summer and accomplishing everything you planned – or nothing at all!  Have fun!

The summer class schedule has been posted to our website, and I’m so glad the work is done, and I’m also just as pleased as I can be with the roster of classes.  They’re all fun, beautiful projects, all varied in skill levels and I really think that anybody could find something to interest her (or him) in this list.  Check them out here and see what fits into your schedule for the summer.

I had (and am still having – not all are done) a great time knitting some of the projects. The variety of types of projects and the different yarns and techniques have really sparked my knitting mojo, which wanes just like everyone’s from time to time.  After knitting several relatively simple projects using summer yarns, it was pure pleasure to pick up some yummy wools and blends and remember how lovely the process of knitting can be and what fun it is to have to pay attention and concentrate on more complicated patterns.

The Cable and Coin Lace Pillow is a great addition to your favorite couch or chair, a guest room or a den.  I used Ella Rae’s Chunky Merino Superwash,

a tough 100% wool yarn that really is machine washable and dryable.  I know because I tested a swatch by throwing it into the washer and dryer with a load of jeans.  It held up beautifully, even with such terrible treatment, so I know I can really use the pillow without fussing.  You could also double good old Encore to get the same gauge and the same hardy washability. I don’t generally knit with brown for clothing (don’t know why), but this warm shade looks great with my couch’s winter coat, don’t you think? And the orange buttons are just fun. The pattern comprises a simple 3/3 cable and coin lace which is fun to work and difficult to mess up!

Karen is doing a knit-along for this fabulous Eternal Optimist scarf (or shawl), made from Road to China Lace, a lighter version of Road to China Light, a perennial fave that is luscious and luxurious.  One beautiful skein (plus beads, needle, pattern) is what you’ll need for our knit-along on Thursday evenings (starting June 15).  Every section is different, interesting, and fun to do, and the cunning little dangles are really charming. You’ll be completely confident in the face of lace designs once you’ve worked your way through this lovely piece.

Meanwhile, I’m having a quietly exciting time making these Winter Bride’s Gloves.

Now, I already know that you don’t need gloves, you don’t wear gloves, you don’t know anyone who’s getting married outside in December.  This is not a project you do because you or someone you know needs to keep their hands warm.  You don’t think, well, poor Myrtle’s hands are always cold so I’ll make her the fussiest, most time-consuming gloves I can find.  This is the kind of project you do because the gloves are lovely and because you are a knitter and you can make them. Someday you (or someone) will take them out of the tissue paper you’ve wrapped them in, waiting for the appropriate moment to wear them or the right person to give them to, and will gasp at the expertise of the person who made them (even if it was you.)  It’s enough to know you made them – that’s all I’m sayin’.  I’m making them in a totally impractical ice-blue color of Herriott Fine, a softly fuzzy alpaca blend.

I’ve really just started on Pearl, the pullover we’re teaching later in the summer.  I absolutely love working with Plymouth’s Worsted Merino Superwash, very soft and bouncy, a real dream to knit with.  I hope I’ll have photos next week, but I’ll be hither and yon on my week off, so I don’t know.  If you know you want to make it, come in and look at the color cards and I’ll add your favorite to my stock order that’s due in July.

You know we’ll closed next week, right?  You do read emails from me, right?  If not, you also may not know that wonderful Tenzing is on sale because it’s being discontinued (a little sob is catching in my throat).  I used it to make Corella, the hat that I’m teaching this summer, and you also may remember it from our many wonderful models: Curcuma Elements, Natsumi, Groovy, and many (many) more.  You can always tell how we feel about a yarn – those we love we just keep making models because we can’t keep our hands off the yarn.  It would also be splendid for our Magic Loop Mitts class. Come and see!

 

I have a couple of wonderful accessories to show you today which will ease you and your wardrobe into spring and summer.  (I won’t mention the disgusting weather, which has been completely seasonally inappropriate.  Why should we have spring in February and winter in March?  I  need to write an indignant letter to somebody about this…the National Weather Service?  NASA? Anyone have an address for Mother Nature?) (Rant suspended temporarily. It will return when I again try to disperse the ice mound at the end of my driveway later today.)

A few weeks ago I wrote about spring projects and mentioned the Crosshatch Shawl by Benjamin Matthews.  The perfect yarns for this project arrived shortly thereafter, and I made the shawl and just love it.  I made it in a combination of Lang’s Fiora and Berroco’s Modern Cotton DK:

Two-row garter stripes interspersed with short sections of stranded colorwork (very simple) make a striking shawl that drapes smoothly.  The yarns are DK so the knitting goes quickly.

This sunny combination (shown to the right below) suited me very well during the aforementioned weather, but there are other quite wonderful combinations, so I had to play with color a little.  Each multi-colored Fiora below could be combined with either of the solids shown and each would give a very different look.

I also finished the Stone Point poncho in Kelbourne Woolen’s newest Fibre Company yarn, Luma.  I’m not a big fan of cotton mixed with wool, but this yarn was lovely to knit and the stitch definition is excellent, probably due to the addition of linen and silk.  The lace pattern is fun and interesting and worth the trouble, don’t you think? The fabric’s hand is soft and smooth and surprisingly light.

The yarn is due in April and I have this beautiful dark denim and 3 other lovely neutrals coming.  If you want one of their other fabulous colors, there’s still time to add to my stock order.  Come in and try it on!

It’s time (and almost past time) to be thinking about what we’d like to make for spring and summer, despite the fact that it’s frigid outside and we’re all staying cozy in our biggest warmest wools right now!

You’ve seen the Simple Tee – our class just started this past weekend.  I love the way the straight lines are set off by the subtlety of the curve of the armholes, the clean swoop of the neckline, and the tubular edges of the vent.  Something to wear for any occasion, with the right accessories!

 

 

I’ve already knit up Mariken, designed by Regina Moessmer.  It’s fun and soft in Remix Light (and very inexpensive to make!)  The neckline is big, and I’m going to do a crocheted chain around it to hold its shape.  Otherwise, it’s a wonderful little summer cardy.

 

I don’t wear a lot of sleeveless things these days, but I’m thinking of making an exception for at least one of these:

Construction Zone by Heidi Kirrmaier

I would make this in original Remix, a soft blend of recycled fibers that has plenty of texture to hold its shape and add interest to this plain design.

Dewberry by Martha Wissing

I love the little lace motif at the yoke – lack of shaping keeps the lace simple.  Easy rolled edges and lots of stockinette make it fast.

Kagerou by michiyo

This little vest has so many charming details that I find it almost irresistible. The lace bottom border, the flared shape, the dropped hem, the ribbed yoke – I love it all.  It works as a vest but could certainly be done as a tank top as well.  Love it!

I’m a sucker for an easy-fitting pullover for summer.  Getting dressed is so simple if you have a great lightweight sweater to jump into.

Sunshine Coast by Heidi Kirrmaier

A great top-down summer look, with a few eyelets and bias panels for interest, this has been in my favorites since the day it was published.  Virginia Griffith and Nikki Schower are both well into knitting this, and I’m a bit jealous!

 

 

Bennett Creek by Kelbourne Woolens

Cropped and boxy, with a pretty center cable, this pullover is designed for Luma, Fibre Company’s newest yarn which I’m testing now.  I think I’m in love!

 

 

Perforated Sweater by Suvi Simola

This sweater has a few eyelets at the hem, just for fun, and otherwise is a simple and clean raglan design, easy to wear and accessorize.  I want it in just this color!

Stone Point by Kelbourne Woolens

I’m working on this adorable poncho right now, and am loving the yarn and design to pieces.  I hope to have something for you to see, feel and try on in just a week or so.

I hope you found something to inspire you to get moving on those spring projects – it’s time!